(no subject)
[ Riku disappears first. Vanished in her sleep, in the middle of the night, collapsing in on herself in a shimmer of starlights. This isn't like last time. No warnings, no chances to say goodbye, no hesitation or resistance. She just isn't there.
Lea goes minutes after Riku, in the same way. But she's awake, lounging on her couch, having a conversation as she flips through her phone. Here and then gone, like a flame. This isn't the first time either of them have gone home, but it's the first time it's so abrupt. At least it isn't death. The last time Riku went home was seven years ago. She was gone for a month, and she came back with shorter hair and the Mark of Mastery. The last time Lea went home, no one really noticed. She thought she was used to it by now.
Things are different this time. Disorienting. Lea meets Kai in the training, for real this time. Riku has her memories, or at least most of them. They're hazy, dreamlike, but real. She has them all. She remembers how old she really is and how long she's been gone. She remembers everyone she cares about, and everyone that won't change here. She keeps her ice magic and takes what she's learned here to use there. But time is fluid. She doesn't feel like she's been gone for seven years.
Lea's are gone, for now. She lives everything new and fresh, with the dressing room appearing only in dreams vivid enough to unsettle her.
Things aren't the same for every world.
Things go better than expected.
The core story is the same. The heroes rescue the ones that need it, they bring everyone back, they defeat the darkness, and they go home. How and when and who — these things vary, but they do it all together and they go home together. And then their story is over, at least for now, and they come back.
Unlike how they went out, Lea and Riku reappear together on the beach. Coming back is just as disorienting, and neither has their phone, so they get their bearings and confirm memories with each other, of the dressing room and of home, and then separate to find their friends.
They've been gone two months. ]
Lea goes minutes after Riku, in the same way. But she's awake, lounging on her couch, having a conversation as she flips through her phone. Here and then gone, like a flame. This isn't the first time either of them have gone home, but it's the first time it's so abrupt. At least it isn't death. The last time Riku went home was seven years ago. She was gone for a month, and she came back with shorter hair and the Mark of Mastery. The last time Lea went home, no one really noticed. She thought she was used to it by now.
Things are different this time. Disorienting. Lea meets Kai in the training, for real this time. Riku has her memories, or at least most of them. They're hazy, dreamlike, but real. She has them all. She remembers how old she really is and how long she's been gone. She remembers everyone she cares about, and everyone that won't change here. She keeps her ice magic and takes what she's learned here to use there. But time is fluid. She doesn't feel like she's been gone for seven years.
Lea's are gone, for now. She lives everything new and fresh, with the dressing room appearing only in dreams vivid enough to unsettle her.
Things aren't the same for every world.
Things go better than expected.
The core story is the same. The heroes rescue the ones that need it, they bring everyone back, they defeat the darkness, and they go home. How and when and who — these things vary, but they do it all together and they go home together. And then their story is over, at least for now, and they come back.
Unlike how they went out, Lea and Riku reappear together on the beach. Coming back is just as disorienting, and neither has their phone, so they get their bearings and confirm memories with each other, of the dressing room and of home, and then separate to find their friends.
They've been gone two months. ]

no subject
[ Right now all she's thinking about is going back to sleep with her face in Isa's hair. She might already be on her way, with how comfortable she is. ]
no subject
Do you want food or to go back to sleep, you goof?
no subject
...both?
no subject
[hmmm, time to think of things to talk about that would keep Lea distracted. but in the meantime Isa's still a pillow, because that's easier than getting up.]
no subject
[ As if she hasn't hopped on to see if Isa would carry her at least once since she entered the dressing room. ]
no subject
[she'd never drop Lea, ever, and would absolutely just accept being climbed on, as she always has. at the moment she's thinking about just extracting herself and telling Lea to go back to sleep, while Isa makes food, but she could also be pretty easily convinced to stay where she is.]
no subject
[ Isa arms x2. She would just die from being too gay. There will be protests if she tries to leave Lea alone, but she could be similarly convinced to follow. Thank god the apartment doesn't have real walls. ]
no subject
[hmmmmm she's developing a plan that might include death from being too gay, that seems better than Lea moping.]
no subject
No way. What was it?
[ "Why did you go without me? Were you trying to get depressed?" ]
no subject
It was this big beast thing, I had antlers and a lot of fur, and sharp teeth and claws. I was big enough that I was actually afraid I wouldn't be able to get back out through the door but I changed back as soon as I got partway through.
no subject
[ Read: I was expecting a wolf. ]
Think it'll give you the same thing if we go together?
no subject
[Lea should know, this is a valid threat and the dressing room should be afraid. but, now that Lea's sounding a little more awake and alert, Isa's gonna gently roll Lea off of her to one side, and sit up to lean over her. it might be rather ominous, but all she does is give Lea a platonic, innocent smooch on the cheek. she doesn't want to overwhelm Lea or make her feel like she has to reciprocate, but she does want to encourage her, with this thing between them.]
I'm gonna go make food, you can go back to sleep for a bit if you want.
no subject
Anyway we've got a case of the dokis now, and Lea looks a little stunned and flustered by this series of actions, because she's a useless lesbian. ]
Uh.
[ Useless. ]
— nnngh okay. If I even can.
no subject
[Isa, by which i actually mean myself, can't think of a single thing they could possibly talk about that wouldn't make Lea sad again; otherwise she'd invite Lea to keep her company in the kitchen, which she's welcome to do anyway, but yeah. it's still not a good time to bring up Xigbar, and she's definitely not going to bring up the fact that she got a little teary over what Xemnas said before dying, which she watched Axel play through along with all the other ending shit. anyway, she's gonna get out of bed and leave Lea to recover from her dokis, taking a second to stretch before disappearing around the wall.]
no subject
no subject
no subject
Food?
no subject
[she sets the glass on the nightstand next to Lea and then circles to the other side of the bed so she can sit down with this food and her best friend. we're gonna fill up on dairy and then maybe kiss a little.]
no subject
[ It's more of a statement than a real question or argument, and she sits up, expression bleary. She's going to down a solid half of that chocolate milk right away. Dairy is good. Kissing might be better. ]
no subject
[Isa's sitting close enough that their shoulders can touch, because she knows Lea does better with physical contact. kissing might be better than dairy, yes, that remains to be seen.]
no subject
[ As if she's not already sitting up and hasn't drank a little over half a glass of chocolate milk in one go. She's going to lean against Isa pretty heavily, but not so much that they're uncomfortable. She will take the bowl on her own, at least. ]
Smells really good.
no subject
[she'll go quiet while she's eating, unless Lea has anything to say. at the moment Isa's thinking about all that happened in the limited time they both had with everyone, and if there's anything pressing she should mention besides the Xigbar bullshit.]
no subject
Yeah, it's really good.
no subject
[the problem is that a lot of what she might say has to do with either Xehanort, who's a moot point, or Xemnas, who she's assuming Lea would be happy never hearing about ever again in her life. finally, after a few minutes of eating and also thinking so hard Lea can probably hear it, she sighs, and nudges Lea's shoulder with her own.]
Hey. I've got some bad news that doesn't really matter now that you're here and not there, but.
no subject
I haven't had nearly enough mac and cheese to deal with this, but sure. What happened? Or is it going to happen?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
welcome to kate's emporium of text walls and angsty symbolism
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...